It’s Mizuki Nana’s birthday and I figured there’s probably no better time to post this. And yes, I recognize that it’s still January 20th on this side of the world, but it’s already the 21st in Japan. I’ve been trying to write this for many, many years and considering it is a milestone birthday for Nana, I promised myself to write and post something on her birthday (which I am doing now).
2020 will mark the year of Mizuki Nana’s 20th anniversary since debut. With the many YouTube videos on 水樹奈々 YouTube Official Channel along with the release of CANNONBALL RUNNING (my favourite album in years – and yes, I have been keeping up with her albums despite not being active in the fandom at all), I thought that it’s probably a good time to write down how I became a Mizuki Nana fan. It’s a tribute of sorts. This is also largely spurred on by seeing her Brave Phoenix performance at Live Park 2016 (uploaded to her official YouTube channel), because every time I rewatch that video, I am reminded of why I respect her as much as I do.
In looking back, there was a large time gap between me knowing about the existence of a seiyuu named Mizuki Nana to becoming someone who developed a strong interest and admiration towards her.
What I’m about to write depicts how I became a fan. It doesn’t go too deeply into why I stayed a fan but it tells of a gap that I never truly thought about until putting it into words.